Journalist Ian Johnson, author of The Souls of China: The Return of Religion After Mao, interviewed extensively Jiang Xue, a 45-year old Chinese writer, for the NY Review of books. She worked for Chinese Business View and Southern Weekend, two papers who suffered from heavy censorship. Jiang Xue is a devout Buddhist and tells in this section on her current life.
While most of the media stress government control on journalists and authors, Zhang Lijia, author of Lotus: A Novel on prostitution in China, sees huge advantages too, she tells the blog Women and Gender in China (WAGIC). “Internationally Chinese women writers are almost invisible. This is another reason that I want to keep writing.”
Fake news has become rightfully a problem for journalists, but the relation between journalism and fiction is a bit more complicated. Beijing-based journalist Zhang Lijia, author of Lotus: A Novel covered some of the common ground at the literary festival at Ubud, Indonesia, she writes on her weblog.
While much of the book publishers try to get their act together now readers go online, China boast even a top ten of literature writers, earning more than US$150 million each. Chief researcher Rupert Hoogewerf explains to Global Times why the Harry Potter franchise did so well, also in China.
Sarah Mellors reviews for the LA Review of Books Zhang Lijia’s Lotus: A Novel. The novel is a telling story of how China’s society works, she says, and both main characters Lotus and Bing illustrate many issues: rural-urban divide, economic development without political liberalization, the post-Mao moral vacuum and money worshiping, and the tension between so-called traditional Chinese values and modern concerns.
Journalist Zhang Lijia’s book Lotus: A Novel on prostitution in China hides nice jewels in different corners. Sex workers often held very strong religious believes, she tells Karen Ma in AsianCha.”I believe it is their way of cleansing themselves, but also because they feel the deities won’t judge them.”
Award-winning journalist Ian Johnson reports in ChinaFile on the monthly trip poet Liu Xia makes to visit her husband, Nobel price winner Lui Xiaobo, and her slowly increasing production of new poems. “A small, fragile woman with extremely short-cropped hair that sets off her high cheekbones and bright, wide eyes.”