Journalist and academic Ian Johnson reviews a documentary of artist Ai Weiwei with hidden footage of the coronavirus crisis in Wuhan for Plataformamedia. “The public needs to understand that this film is about China,” Weiwei said in a telephone interview with Ian Johnson. “Yes, it is about the coronavirus lockdown, but it is an effort to reflect what ordinary Chinese have experienced.”
A large number of foreign journalists, mostly Americans, got kicked out of China earlier this year, including long-term veteran Ian Johnson. In-depth journalism is now hurt, he tells the Deutsche Welle, as most media organizations have only one or two correspondents in China, who cannot do more than scratch the surface.
A Hunan reality TV show Sisters who make waves triggers off a heated debate in China on whether the TV show adds to the feminist debate or not. Author Zhang Lijia collects the arguments pro and con, and in the end concluded that the commercial show is making quite some feminist waves, she writes in the South China Morning Post.
The Wall Street Journal and Bloomberg are increasingly behaving like biased activists when it comes to China, says business analyst Shaun Rein at the state-owned CGTN. “I’m a big believer that they should have critics of China quoted, but then they should also have supporters of China quoted,” he argues.
Marketing veteran Ashley Dudarenok explains how she joined the social media bandwagon in China post-2009 for her marketing ventures, interviewed by 852 Reboot HK. With remarks on the future of Hong Kong and the fallout of the coronavirus. And why companies need at least seven business models to survive 2020.
Journalist Ian Johnson, author of The Souls of China: The Return of Religion After Mao interviews author and journalist Yuan Ling after he got into quarantine in his home province Shaanxi. “The virus has already had a deeper impact on the people than even the  Sichuan earthquake [that killed 69,000],” Yuan Ling tells Ian Johnson on the phone, for the New York Review of Books.